I’m typing this out on an iPod so please forgive any spelling errors.
Newseum:
A long, emotionally draining day. Walking around the Pulitzer Prize Photographs Gallery revealed a layer of fragility and seemingly a lack of humanity. The jobs of photographers is to capture the image which will describe the entire situation at hand or the power of a moment in time, but- as it was in the Katrina gallery- the photographs raised conflict. Could the starving children in the photos have been saved? The war victims? or the victims or natural disaster?
Amongst these black and white photos of the pains, suffering and death, I found Rocco Morabito’s “the kiss of life”. A story he happened upon captured a moment of humanity. My imagism reaction was shock. I was unsure of the photograph, but I kept looking for something. It was taken in 1967 or 68 in Jacksonville, Florida and I would call it a luck shot.
It features two Electric Authority workers up on the poles. One man hung from the pole after recording 4,160 volts of electricity and his fellow worker was breathing into him. In the right place at the right tine Morabito captures something heroic, human, touching, amazing (I could go on). The man lived. Morabito called an ambulance after capturing his shot.
After reading the small clip of info beside the photo, I returned my gaze to the image. It was the man breathing into the other that held me, not the one hanging limply. I don’t know if he was the thing that drew me to the photo but he was the figure that burned the image I to mu mind.
Following the Pulitzer prize photographs gallery I saw more tragic images and sone photos and objects of joy.
In the 9/11 gallery there were many Geary eyes. Personal stories were shared via a video and there was a piece from one of the towers. It brought to my mind the memories of a second grade student. Some of the thoughts may be artificial, thoughts formed on the spot because when it happened I was young, because I am so unsure of what really happened 9/11/01. I don’t know what reporters and photographers accomplished by rushing into the area of danger. Someone older or wiser might understand better the display.
The same I would say about the Berlin wall. I marveled at the mighty section of the wall. I filled mu camera with pictures, and for a moment I thought I could hear the past speaking to me. Yet no matter how long I stood at the wall, I couldn’t comprehend it to a level of satisfaction.
I would gladly return and attempt to understand.